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High-Quality Monitor & Powerful HD Recorder
MONITOR, RECORDER, PLAYBACK AND HDMI-SDI CONVERTER IN ONE UNIT. |
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The Odyssey7 is both a high quality portable monitor and a powerful HD video recorder. As a monitor it features a 7.7” OLED screen with 1280x800 resolution. OLED technology means that that colors are extremely accurate and contrast is great, with true inky blacks and brilliant whites. This is an image one can trust for designing lighting and setting exposure. |
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Additional monitoring tools/exposure aids include a programmable false color mode, zebras a waveform monitor (luma or RGB parade) and a histogram (luma or RGB parade). There are also LUTs built in for proper viewing of the LOG modes available from numerous popular cameras. For precision focusing there is a pixel zoom with two levels of magnification and a programmable focus assist with three styles of enhancement and a large range of adjustability. |
As a recorder the Odyssey7 records Apple ProRes 422(HQ) in HD onto a removable 2.5” Odyssey SSD. SSDs are available in 256G and 512G, offering up to nine hours of continuous shooting to a single SSD. Additional recording formats will be added via free firmware updates. |
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The Odyssey7 has both SDI and HDMI inputs. It functions as a signal converter as well, with both an SDI and an HDMI output that are both active at all times. |
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INDUSTRY BENCHMARK DISPLAY
7.7" OLED, 1280x800, RGB 8-Bit Panel, Accurate Colors, True Blacks, Wide Gamut, 3400:1 Contrast Ratio, 176° Viewing Angle, No Latency.
EXTENSIVE MONITORING TOOLS
Focus Assist, Zebras, False Color, Waveform, Histogram, Image Flip, LUTs, Output Tools to External Monitor.
ULTRA-LOW AND WIDE RANGE POWER
8 Watts (monitor), 9-15 Watts (recorder), Accepts 6.5 to 34 VDC input. Battery Mounts available.
COMPACT & LIGHT WEIGHT
Weighs in at just 1.3 lbs. (560g) 7.9" x 6.1" x 1.0" (200 x 155 x 25 mm) with a rugged magnesium alloy case.
SIGNAL CONVERTER AND PLAYBACK DECK
HDMI for Reference Monitoring.
RECORD TRIGGERS
Touchscreen, SDI record trigger (ARRI, Canon, Panasonic, Red, Sony), Optional Remote Control Cable.
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- FEATURES
- SPEC
- ODYSSEY7 VS. 7Q
- RECORD TIMES
- FORMATS
- SETUP
- VIDEO
OLED Technology
Extremely accurate color and contrast with true inky blacks and brilliant whites. This is an image trustworthy of designing lighting and setting exposure.
INTUITIVE UI
Odyssey's capacitive touch screen compliments the intuitive user interface. No need to fumble through unlabled function buttons, lengthy menus, or scrolling. All information is literally at your fingertip!
SDI-HDMI CONVERTER
Conveniently built into the unit, easily convert signals and output to HDMI or multiple SDI ports.
EXTENSIVE MONITORING TOOLS
Focus Assist, Zebras, False Color, Waveform, Histogram, Image Flip, LUTs, Output Tools to External Monitor.
LUT SUPPORT
ARRI, Canon, Sony, future: support for ASC CDL LUTs
VIEW MONITOR OUT - RECORD CLEAN VIDEO
Display the monitor-out (viewfinder data) on the OLED while recording a clean video signal. Available when using the Sony F3, Sony FS700, Canon C500 and ARRI Alexa cameras.
Display |
7.7" OLED, 1280x800, RGB 8-bit panel, ~ 16 million colors, wide gamut, 3400:1 contrast, 176° viewing, true blacks |
SDI Video I/O |
HD-SDI/3G Support: Single Link, 1-Input, 1-Output, Full-size BNCs, Up to 1080p60 4:2:2 10-bit |
HDMI Video I/O |
HDMI I/O Version 1.4a support, Up to 1080p30 4:2:2 8-bit |
LUT Support |
ARRI Log-C, Canon C-Log, Sony S-Log, S-Log2, S-Log3 LUTs (No Custom LUT Support) |
Focus Assist |
Video + Edges (Peaking), Edges Only, Enhanced Edges, user choice of color: Red, Green, or Blue |
Zebras |
Currently one programmable level, future two programmable levels |
False Color |
False color with 5 programmable levels |
Waveform Monitor |
Luma only, RGB Parade, Red only, Blue only, Green only |
Histogram |
Luma only, RGB Parade, Red only, Blue only, Green only |
Vectorscope |
Future: Color Vectorscope with 2X zoom |
Pixel Zoom |
1:1 and 2:1 Image Magnification with frame drag |
OLED Frame Reference |
Vertical Auto-Flip (defeatable), Aspect Ratio Guides |
Digital Audio I/O |
2-Channel Embedded Audio (48KHz, 24-bit) |
Analog Audio I/O |
3.5mm stereo unbalanced input up to -10dB (future), 3.5mm stereo headphone output |
Remote and Timecode |
RS-232 I/O (future), programmable GPIO (future). Timecode: LTC I/O (BNC) or embedded SDI / HDMI (HDMI future) |
User Interface |
Capacitive Touchscreen, Two mechanical keys |
DC Power Input |
6.5 to 34 VDC with built-in reverse polarity protection; locking power connector, built-in power switch |
Power Draw |
8 Watts (monitor only), 9-12 Watts (simultaneous monitor/record mode) |
Weight and Size |
560 grams / 1.2 lbs., 7.9" x 6.1" x 1.0" (200 x 155 x 25 mm), -10 to +40°C (Operating), -20 to +70°C (Storage) |
Record Triggers |
Touchscreen, SDI record trigger (ARRI, Canon, Panasonic, Red, Sony), Optional Remote Control Cable (future) |
Recording SSD Media |
Convergent Design SSDs with power-loss protection, in 256 and 512 GB sizes, 420MB/sec write, 500MB/sec read speed, compatible with USB 3.0 and Thunderbolt adapters. SSDs and adpaters sold separately. |
Recording Formats |
Compressed formats: Apple ProRes 422(HQ) up to 1080/60p, 1080/60i, 720/60p |
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** Available in the future via a free firmware update.
All specifications are subject to change without notice.
Display
| Odyssey7 |
Odyssey7Q |
7.7" 1280x800 OLED 8-bit Capacitive Touch Screen |
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Connectivity
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3G-SDI Inputs (dedicated) |
one |
two |
3G-SDI Outputs (dedicated) |
one |
two |
3G-SDI Inputs/Outputs (bi-directional) |
- |
two |
HDMI inputs |
one |
HDMI outputs |
one |
Timecode LTC I/O, SDI/HDMI embedded (HDMI future) |
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Physical
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Magnesium case; 7.9"x6.1"x1", 1.2 lbs |
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SSD slots |
one |
two |
6.5-34vdc, 8-15w, polarity protection, power switch |
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Monitor Functions
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Waveform (Luma & RGB Parade) small or large |
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Histogram (Luma & RGB Parade) small or large |
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Vectorscope with magnification |
future |
future |
Zebra |
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False Color (five programmable steps) |
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Pixel Zoom with frame drag |
HD limited |
Up to 4K |
Focus Assist (three styles w/selectable color & sensitivity) |
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LUTs (presets for popular camera LOG to REC709) |
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LUTs (programmable 3D-LUT library) |
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future |
Frame Guides |
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Image-Flip |
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REC709 or DCI-P3 Color Gamut |
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MultiStream Monitoring up to 4 HD signals w/live switching |
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Recording Functions
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Apple ProRes 422(HQ) up to 1080/30p, 1080/60i and 720/60p |
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Apple ProRes 422(HQ) up to 1080p/60 from SDI |
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2K/HD 12-bit/10-bit 444 RGB to 30p in Uncompressed DPX |
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2K/HD 12-bit/10-bit 444 RGB to 60p in Uncompressed DPX |
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future |
2K/HD 12-bit/10-bit 444 RGB compressed video up to 60p |
- |
future |
4K 422 compressed video up to 30p |
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future |
HDMI HD recording in 1080 up to 30p/60i, 720 up to 60p |
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Record trigger from touch screen or camera |
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Audio
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2-channel SDI/HDMI Embedded Audio, 48K, 24-bit Wave |
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8-channel SDI/HDMI Embedded Audio, 48K, 24-bit Wave |
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future |
2-channel Analog Audio input, 3.5mm stereo socket |
future |
2-channel Headphone output, 3.5mm stereo socket |
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Record Options (extra cost website downloads)
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ARRI ALEXA: |
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16:9 RAW up to 60p |
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4:3 RAW up to 48p |
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future |
Log-C monitoring LUT |
- |
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Canon C500: |
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4K RAW up to 60p |
- |
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QHD up to 60p |
- |
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4K "half-RAW" up to 120p |
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4K/QHD 422 compressed video up to 30p from 4K RAW |
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future |
C-Log monitoring LUT |
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Sony FS700: |
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4K RAW up to 60p |
- |
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4K RAW 120p burst |
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2K RAW up to 240p |
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"4K2HD" 4K RAW to HD Apple ProRes 422(HQ) to 60p |
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"4K2HD" 4K RAW to HD compressed video 4:4:4 RGB to 60p |
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future |
"4K24K" 4K RAW to 4K compressed video 4:2:2 to 30p |
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future |
"2K22K" 2K RAW to 2K compressed video 4:2:2 to 120p |
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future |
S-Log2 monitoring LUT |
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REC709 (800%) monitoring LUT |
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MultiStream Recording: |
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Record up to 4 HD signals simultaneously in
Apple ProRes 422(HQ) to 30p, plus XML for Edit Decision List) |
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future |
Record up to 3 HD signals & live switch edit simultaneously
in Apple ProRes 422(HQ) to 30p, plus XML file for Edit Decision List |
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future |
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All specifications, features and prices are subject to change |
Recording Format |
24fps |
25fps |
30fps |
50fps |
60fps |
Apple ProRes 422 (HQ) (10-Bit compressed 1080p HD) |
670 |
644 |
580 |
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HD Video (Apple ProRes 422 HQ)
Compressed: Apple ProRes 422 (HQ), 10-bit, 1080p/psf 23, 24, 25, 29; 1080i 50, 60; 720p 50, 60 |
3G-SDI: Accepted 1080p/psf frame rates: 23.98, 24, 25, 29.97, 30 |
HDMI: Accepted 1080p/psf frame rates: 23.98, 24, 25, 29.97, 30, 50i, 60i |
Future free firmware updates will include additional compressed video codecs with expanded frame rate, resolution selections, interlaced support, and pull down support. |
Canon
Camera |
720p50 |
720p60 |
1080p25 |
1080p30 |
1080i50 |
1080i60 |
1080p23.98 |
Trigger |
5DMarkIII |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
IDC |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
XLH1s |
p |
p |
p |
p |
i |
i |
32 |
Timecode |
XF105 |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
XF305 |
p |
p |
p |
p |
i |
i |
32 |
Camera |
C100 |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
C300 |
p |
p |
p |
p |
i |
i |
32 |
Camera |
C500 |
p |
p |
p |
p |
i |
i |
32/p |
Camera |
Sony
Camera |
720p50 |
720p60 |
1080p25 |
1080p30 |
1080i50 |
1080i60 |
1080p23.98 |
Trigger |
A77 |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
A99 |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
A7s |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
PMW EX1 |
p |
p |
p |
p |
i |
i |
32/p |
Timecode |
PMW EX3 |
p |
p |
p |
p |
i |
i |
32/p |
Timecode |
NEX-FS100 |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
NEX-FS700 |
p |
p |
p |
p |
i |
i |
32/p |
Camera |
PMW-F3 |
p |
p |
p |
p |
i |
i |
32/p |
Camera |
F5 |
p |
p |
p |
p |
i |
i |
32 |
Camera |
F55 |
p |
p |
p |
p |
i |
i |
32 |
Camera |
Panasonic
Camera |
720p50 |
720p60 |
1080p25 |
1080p30 |
1080i50 |
1080i60 |
1080p23.98 |
Trigger |
HDX 900 |
p |
p |
p |
p |
i |
i |
32 |
Timecode |
AF100 |
p |
p |
p |
p |
i |
i |
32/p |
Camera |
GH3 |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
GH4 |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
Lumix Z1000 |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
Nikon
Camera |
720p50 |
720p60 |
1080p25 |
1080p30 |
1080i50 |
1080i60 |
1080p23.98 |
Trigger |
D800 |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
D810 |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
D7100 |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
D5200 |
p |
p |
p |
p |
i |
i |
32 |
REC Button |
Arri Alexa
Camera |
720p50 |
720p60 |
1080p25 |
1080p30 |
1080i50 |
1080i60 |
1080p23.98 |
Trigger |
Classic |
p |
p |
p |
p |
i |
i |
p |
Camera |
Plus |
p |
p |
p |
p |
i |
i |
p |
Camera |
Red
Camera |
720p50 |
720p60 |
1080p25 |
1080p30 |
1080i50 |
1080i60 |
1080p23.98 |
Trigger |
Epic |
p |
p |
p |
p |
i |
i |
32/p |
Camera |
Scarlet |
p |
p |
p |
p |
i |
i |
32/p |
Camera |
PREMIUM SSD MEDIA
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EXTREME RELIABILITY
From rapid wake-up to power protection, Convergent Design 2.5” SSDs don’t miss a frame. Our premium drives have proven reliability.
SUSTAINED READ/WRITE SPEEDS
From burst length to cue depth, there is a bevy of technical considerations taken to ensure maximum performance.
POWER LOSS PROTECTION
Convergent Design SSDs will recover and close clips in the event of a lost power.
Sata Adapter Not Included: See USB 3.0 SSD Adapter. Also recommended, Seagate GoFlex Thunderbolt Adapter (STAE121)
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MANUFACTURED IN THE USA
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At Convergent Design we take great pride in the products we design and manufacture. Our products are developed, designed, manufactured, tested and serviced in our facility in Colorado Springs, CO by product designers, engineers and technicians that truly care about the quality and commitment that goes into every unit.
You can take pride in knowing that your Convergent Design device is manufactured to the highest possible standards and supported by our commitment to quality and customer satisfaction.
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